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Bootcamp is designed to help you build and strengthen your foundation. Our approach begins with triads and builds outward into melody, jazz vocabulary, harmony, comping, composition, and arranging. Get started today with Bootcamp Triads: Level 1. You'll get six weekly assignments that will take you from basic triads to triad-based chromatic insanity, with a two week review period at the end. You will be able to download and keep the pdfs from each assignment, but at the end of the eight weeks, you will lose access to the video. This setup will motivate you to put in the work and see the progress towards triad mastery.


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Lines For Life - Rental

21 videos / 304 minutes runtime
7 PDFs

Lines For Life is one course in our Melodic Triads Approach. If you would prefer to access ALL of those courses PLUS let me help you with our three monthly, live, group class/open office hours, CLICK HERE to join our Melodic Triads Study Group for $39 /month instead.

What You Get:

✅ Access from your computer and your favorite mobile devices with our free app, so you can learn anytime, anywhere

✅ Simple, practical, and actionable steps to ornament your triad-based ideas into legitimate bebop and modern jazz lines

✅ Completely break your reliance on scale and arpeggios and learn simple ideas for being able to control any of our 12 notes over any chord while still sounding in

✅ Begin IMPLYING the changes melodically without being imprisoned to "outlining" them

✅ Tons of example ii V I riffs in major and minor to help you get started, plus 

✅ Cancel anytime... no questions asked

Learn to ornament your triad based voice leading ideas (developed in Triads For Life) with a variety of melodic triad techniques that will turn your simple triad-based ideas into legit, spontaneous jazz vocabulary.

We use multiple practices and steps to help you develop this new dimension to your improvised vocabulary starting with root structure triads and discussing how this can be applied to more advanced and colorful upper structure triads.

Transcription and learning riffs from your favorite players is always a wonderful idea. But it's hard to become fluent in a language by only memorizing phrases. We also need to learn how to think on our feet and develop our own ideas. Once we can voice lead triads, the foundation is there for us to stand on. By adding in just a couple of simple melodic techniques, we can ornament those triads into authentic melody and phrases that will sound musical, precise, and authoritative... and NOBODY will have the slightest clue that you're 'just using triads'.

Stop regurgitating riffs, and start spontaneously creating!


What Musicians Are Saying:

“After years of studying with many of the jazz legends of our time Jordan has taken all the knowledge he has acquired, reduced it to its essence, and developed it into his own personal system of approaching improvisation. I find his method absolutely refreshing and so much closer to how the great improvisers are thinking and practicing than the traditional chord/scale, university approach to teaching improvisation. It’s given me a whole new and fresh outlook on how to hear things and what to practice”

Tommy Howard

“Technical stuff such as sequences, scale practice, shape systems... there are so many books out there. But I really like that [Jordan] puts it on a much more phenomenological area of expertise, so you get to understand what sound means, emotionally. To me that's much better than all of these books and methods you find all over the internet. This is much more personal and to the core of what music is. [Jordan] really helped me open up a new world, and we're continuing to explore that. I can highly recommend Jordan.”

Claus Strom

“Jordan Klemons is an agile, forward thinking guitarist, fluent in the language of Jim Hall and John Scofield. His solos bristle with intense rhythmic drive and melodic invention.”

Brad Shepik

“[Jordan] has a beautiful and clear way of explaining and organizing important things related to music, jazz, and guitar. Do yourself a favor and dig into [Melodic Triads].”

Peter Bernstein